Angel Witch is widely regarded as one of the biggest bands that are
credited for building up Nwobhm-genre (or movement, what ever you want
to call it). Nwobhm stands for "The New Wave Of British Heavy Metal",
and was first discovered and named in 1979 in The Great Britain, where
bands such as Angel Witch, Iron Maiden, Samson, and Saxon were
recognized by having their own new authentic style by media. Geoff
Barton of "Sounds" magazine was actually first person to use term
Nwobhm. The sound that adapted itself from classic rock and punk rock,
taking best of both worlds.
Angel
Witch were one of the more epic and instrumentally more skilled bands
of the Nwobhm movement, releasing their first debut album in 1980 "Angel
Witch. Much praised epic Nwobhm opus with magical compositions, being
same time doomy, melancholic, mysterious and drawing influences from
70's progressive rock. After this they came out with two more full
length releases: "Screamin' n' Bleedin'" in 1985 and "Frontal Assault"
in 1986. But at the time of the latter two releases Angel Witch had
seemed to lose that special atmosphere that made the debut so epic, so
highly praised, and so unique. The compositions got more straight
forward, tad more mainstream, heavier, more standard heavy metal. They
kept their "dramatic " and "melancholic" influences in their melodies,
but lost complexity of it.
Review
Now it's year 2012 and
Angel Witch have returned with a brand new "reunion" album called "As
Above, So Below", first one in 26 years. That's a damn long time. The
band has had some activity throughout the years between actual
recordings though.. so I got a feeling that musical compositions have
been living and forming in Kevin Heybourne's head, who's only original
member left of any lineup since the 80's. Not to worry though, Heybourne
has been the driving force behind the Angel Witch's wheel before.
Alongside him he has recruited two newer talens without any mention
worthy career in any known heavy metal bands before.
The new album
comes with FANTASTIC cover-art, released by Rise Above Records,
containing decent amount of tracks (eight), and running respectable 50
minutes plus. After a long break between releases you're sure to ask two
questions: it's so long break that is the album half-hearted release
that lacks the original power? And have they sticked with either of the
former styles or modernized their sound? Well I got good news for you.
The very basis of this album, the body of it, is of a right sort. First
of all this is not half-hearted release.. Heybourne is in a good shape
as a writer, guitarist, and singer. No signs of tiredness. Secondly a
great thing is that this album is rooted perhaps the most to their sound
from times of the "self titled debut album"! Well it's a mixture of
that and some of the "Screamin' n' Bleedin'" era in my opinion. It hangs
there in between but is definitely closer to the debut by sound and
compositions.
The reason to this may well be that Angel Witch have
used several old compositions here to re-record old songs. In fact
"Dead Sea Scrolls" and "Witching Hour" are from around 1983-1984
originally, a time between the debut and it's sequel, while "Into The
Dark" and "Guillotine" (which was later used in "Frontal Assault" under
different name: "Rendezvous With the Blade") date from times before
aforementioned. Rest of the tracks are new. This at least supports the
album's sound rooted to early 80's times of the band.
So song
compositions sound like mixture of selt titled debut and the second
album. How about the general sound of album? The sound itself is very
damn good! The rhythm guitars are sort of a very slightly muddy, deep
and still sort of crisp with very light distortion. They're sort of a
"doomy" which is cool. While lead guitars themselves are crisp, clean,
and very audible. Bass is sort of a dry, fuzzy, not stealing the show
but can be heard well and adds doomy atmosphere. Soaring lead guitar
melodies combined with doomy rhythm guitars takes you on a trip to late
70's / early 80's for sure. And in addition to comparison to earlier
Angel Witch, the band also sounds like Witchfinder General with their
"Death Penalty" album - sound wise. They did not overproduce the album
which gives it natural born raw power and roughness to their beautiful
compositions. I should also mention that drumwork is very nice. The
drummer focuses to complexity perhaps more than "straight forward
thundering", but his use of the hi-hats and cymbals as "fills" sounds
great! It Brings Iain Finlay (ex-Running Wild) from "Death or Glory"
album to my mind. Heybourne's gloomy middle pitched clean vocals are
still strong as before. While he may not be the most original vocalist
around, with not having those high pitched piercing screams, or cool
rough bluesy edge on his voice, he knows how to sing Nwobhm style stuff
with emotion.
This albums has it's share of those progressive rock
elements that were there in early Angel Witch compositions. It lives in
songs like "Into The Dark", which is a mind trip itself. It's one of
the best songs in the album. It starts as laid back progressive/doomy
track mixing mellow melodies with melancholic and mysterious ones, while
lead guitars build labyrinth-like patterns taking listener to a journey
to the other side, and then ending with aggression and speed. Another
my favorite would be melancholic and epic "Dead Sea Scrolls" with crisp
Nwobhm style rhythm riffage at it's finest, and soaring lead guitars
crying on top of that. "Brainwashed" would be third favorite to mention
with that gruesome and eerie lead guitar prelude, leading into even old
era Megadeth-like rhythm guitar lines, while chorus is definitely as
Angel Witch as it gets and the track features some nice progressive-like
shredding parts. On the other hand "Gebura" could be straight off the
Screamin' n' Bleedin' album, and "Guillotine" sounds like Frontal
Assault-material, where it was later on used.
Lyrics are sort of a
poetic, riddling, mysterious and epic on other songs, while there's
certainly that more philosophical and meaningful side the lyrics too
like in "Brainwashed":
"Maybe the story's true for believers
A victim's story of deception
A god alone, and we start with soldiers, a simple man
A lie to be made for the power of control
To scare them for the guilt
Wash yourself, start with their blood
To wear the symbol to what made the pain
To what made the death
Look into your own eyes
Your reflection shows you' re brainwashed
Restrain yourself inside
Stop yourself from being brainwashed"
Lyrics as well as
those that makes us think - sort of lyrics that makes us recognize
things in ourselves and around us - are always cool.
Summary
The
downsides of this albums are not many. Dramatic, melancholic, and
gloomy atmosphere - with those eerie moments - that I love in old Angel
Witch records is to be found in "As Above, So Below" with surprisingly
old school rooted sound mix that has it's rough edges, but with updated
quality. While this album honors classic Angel Witch, it fails to
capture quite the same greatness and atmosphere than the debut. The
basics of the album are straight on the right tracks. Old school style
sound and production is there, just bit perfected. Debut style
progressive / doomy compositions are partly there, with some of the bit
newer sounding more straight forward mid-80's material combined. In my
opinion the band are at their best when wandering into progressive /
doomy waters with bit more complex and unique tracks such as "Into The
Dark" which guarantees to take your mind into an adventure.
Perhaps
this record overall is still not quite as complex, vibrant and varying
than the debut was. It feels tad watered down in comparison. Not that
much, but a bit, enough to not reach classic status. It's hard to
recognize the actual faults here.. perhaps "The Horla", "Upon This
Cord", and "Guillotine" drag a bit. "As Above, So Below" lacks perhaps a
bit of a "finesse" although it has several great songs. Compositions
just fail to match the debut - but they're good nevertheless! It's nice
to see this album honor the band's original roots and sound.
I'd
say that Angel Witch runs here with energy level on 7.5/10 and material
is perhaps about the same, some great, some decently good, but the
overall presentation of album - this album sounding perhaps as close to
the early 80's as possible - deserves 9/10. It's greatness will grow
slowly on you. As Above, So Below is very welcomed comeback that leaves
you wanting more.. perhaps next time they manage to crank out eight
quality songs that are even more epic! Recommended bargain for anyone
loving heavy metal from early 70's to the 80's - but even more essential
to the Nwobhm fanatics and fans of the band.